Thursday, December 07, 2006
Robert Piguet's Fracas
One of the strangest things I've experienced with the perfume journey is the disturbing idea that I know myself far less than I think. Had I been assigned in school to make a list of the 10 perfumes that most describe "me" it would have included many fragrances which I find truly unwearable. Certainly that brooding introspective artiste, Black Cashmere, would have topped the list but though I've tried to wear it numerous times I find I simply do not like it. Appreciate it, yes; I cannot fault it and consider it near perfect. But wearing it makes me depressed. That's really all there is to say about it.
Of course being surprised by what I don't like isn't much fun. Far more exciting to be surprised by totally unexpected loves, yet these are equally disturbing because again I question how well I know my own tastes.
"It's VERY strong.."
"An intense tuberose"
"sexy, bombshell blonde"
So obviously not me, the Introvert. And yet I am absolutely in love with Fracas. Every morning I want her, I look forward to applying her, I can't bear to think about all the samples and decants I am supposed to be testing because every moment spent with them is a moment away from her.
She is creamy and dramatic. Her drydown is beautiful, not just the basenotes but a confection of all she has to offer and the time spent getting there. Sometimes she is as sweet as frosting and other times there is a guarded quality to her as though it is not yet her time to bloom. In the heat--oh my. How a perfume manages to capture the soft and waxy feel of thick white petals I don't know but that is what Fracas does.
Of course I understand perfectly why many hate her. I am that person myself, one the anti-Fracas crowd who finds her vulgar and appallingly loud.. or so I thought. Such a wonderful surprise to be wrong.
Robert Piguet's Fracas was created in 1948.
Top notes: bergamot, orange blossom, leafy green essence, peach blossom, pink geranium
Heart notes: tuberose, jasmine, lily of the valley, white iris, carnation
Base notes: sandalwood, musk oakmoss, vetiver, cedar
Posted by teacake at 5:40 PM